Course Description

CMI 100. Introduction to the Creative Media Industry 3 cr.
This class is an introductory course for students interesting in learning about the creative media industry and the Creative Media Institute. It offers a broad-stroked view of the entire industry including Marketing, Production, Budgets, Jobs, New Media Literacy, and Industry Standards. Students will listen to experts in the field, get involved in open discussions about the industry and then see examples showing how these issues affect media’s design and production. Restricted to: Main campus only. Restricted to CMI majors.
CMI 101. History of Cinema 3 cr.
An introduction to cinema’s history looking at each aspect of film from inception to current development. It focuses on the historical aspects of sound production, cinematography, technological advances, music scoring, foley, animation, and narrative development. Students will see examples of movies throughout the semester and will take part in discussions.
CMI 200. Sound Design 1 3 cr.
Focuses on the techniques for creating, recording and manipulating sounds through challenging sound design projects. Pre/Corequisite(s): CMI 100. Restricted to: Main campus only. Restricted to CMI majors.
CMI 205. Introduction to Cinematography 3 cr.
Theories and techniques of visual design in videography and the aesthetics of lighting. Pre/Corequisite(s): CMI 100. Restricted to: Main campus only. Restricted to CMI majors.
CMI 214. Acting for Film 3 cr.
Techniques for film and television acting. Differences between film and live theater acting; How film performances are created among actor, director, writer, cinematographer, and editor. Guests will include a professional cinematographer and editor. Consent of instructor required. Pre/Corequisite(s): CMI 100. Restricted to: Main campus only. Restricted to CMI majors.
CMI 216. Editing I 3 cr.
Focuses on individual editing skills including capture, interface, basic cuts, and transitions. Pre/Corequisite(s): CMI 100. Restricted to: Main campus only. Restricted to CMI majors.
CMI 230. Developing the Animated Project 3 cr.
Addresses elements of the production and development processes for animated projects. Concept, story, character development and storyboarding will be covered as well as layout, sound, voice recording and basic concepts of editing and timing. Students will develop an animated project for future production. Pre/Corequisite(s): CMI 100. Restricted to: Main campus only. Restricted to CMI majors.
CMI 231. History of Animation 3 cr.
Explores the history of Animation as an art form and industry through readings, screenings, lecture and periodic guest speakers. Pre/Corequisite(s): CMI 100. Restricted to: Main campus only. Restricted to CMI majors.
CMI 232. Storyboarding 3 cr.
Examines effective writing principles for creating storyboards that communicate the overall picture of a project, timing, scene complexity, emotion and resource requirements. Pre/Corequisite(s): CMI 100. Restricted to: Main campus only. Restricted to CMI majors.
CMI 233. Light, Shade, Render 3 cr.
Explores rendering techniques using cameras, lighting sources, textures, surface-mapping and algorithmic rendering to produce stylized and photo-realistic images. Prerequisite(s): CMI 260. Restricted to: Main campus only.
CMI 235. Narrative: Principles of Story Across the Media 3 cr.
Examines the various strategies of narrative structure and its principle components (plot, theme, character, imagery, symbolism, point of view) with an attempt to connect them to elements of contemporary forms of media expression. Pre/Corequisite(s): CMI 100. Restricted to: Main campus only. Restricted to CMI majors. Crosslisted with: ENGL 235
CMI 250. Beginning 2-D Animation 3 cr.
Learn the basics of digital 2D animation by creating an animated short from a storyboarded scene using professional animation, imaging, and editing software. Prerequisite(s): ART 150. Restricted to: Main campus only. Restricted to CMI majors.
CMI 260. Foundations of 3D Animation 3 cr.
Overview of digital animation and introduction to creating computer generated elements and sequences for animation and cinema. The course will survey specialty areas of digital animation and the software and techniques applied in entertainment and information media. Pre/Corequisite(s): CMI 100. Restricted to: Main campus only. Restricted to CMI majors.
CMI 280. Modeling 3 cr.
Introduction to 3D modeling methods and current practice. Preliminary and detailed modeling techniques using industry standard software, including mechanical, organic and sculpted topology for application in animation, games, engineering, architecture or simulation. Pre/Corequisite(s): CMI 100. Restricted to: Main campus only. Restricted to CMI majors.
CMI 290. 3-D Animation 3 cr.
Overview of the essentials and principles of 3D animation; creative methods for using industry standard tools to produce the illusion of movement for storytelling. Topics include, keyframe and curve animation, kinematics, cycle animation, camera animation, deformers, and constraints. Prerequisite(s): CMI 260. Restricted to: Main campus only.
CMI 301. Sound Design II 3 cr.
Mixing and balancing dialogue, sound effects and music in postproduction. Study the role of sound effects, foley, soundtrack choices, and music supervision. Prerequisite: CMI 200.
CMI 303. Cinema Review and Critique 3 cr.
This course is for the student who wants to learn to be a more active, intelligent film viewer. It encourages critical thinking about films and educates students on how to write a film review. Students will meet in the movie theater to watch essential films that serious movie watchers should see from classic motion pictures, to current release major motion pictures, independent films and world cinema features. The course will serve as a guide to the illuminating process of evaluating, analyzing, and reviewing movies. Students’ reviews will be published publicly.
CMI 305. Business of Filmmaking/Animation 3 cr.
Explores the roles of unions, basic contracts, legal arrangements, and the economics of the production process, distribution, and financing. Prerequisite: CMI 235.

CMI 308.Writing for Animation 3 cr.
Students will explore methods for and approaches to writing for animation. Students will study and produce scripts for a range of animation outlets while engaging in writing exercises based on character and story development. Prerequisite(s): CMI 235 and CMI 309.
CMI 309. Screenwriting I 3 cr.
Writing intensive. Students write a 15-30 minute screenplay, honing skills in dialogue, character, dramatic action and film environment. Scenes will be performed and discussed in class daily. Prerequisite(s): ENGL/CMI 235. Crosslisted with: ENGL 309

CMI 310. Advance Cinematography 3 cr.
Advanced tools of the cinematographer, lighting and composition techniques. Artistic and technological elements of cinematography. Prerequisite: CMI 205

CMI 311. Editing II 3 cr.
Advanced techniques in digital films using professional non-linear editing systems. Prerequisite: CMI 216

CMI 315. Adventures in Genre 3 cr.
Examines the various structural genres and components of screenplays and films. Students learn storytelling strategies for the screen by reading scripts and watching the corresponding films and discussing the architecture of the script itself within a structural genre. Prerequisite(s): CMI 235 – Principles of Story.

CMI 318. Documenting Social Narratives: Crime and Reason 3 cr.
Students will begin to examine the documentary genre. A survey of the theory and history of documentary film making will include viewings and discussions of notable films and directors. The class will conclude with a proposal for a student documentary project. Prerequisite(s): CMI 216.

CMI 323. Texturing and Matte Painting 3 cr.
Advanced techniques in texturing and digital matte painting for visual effects, combines elements of photography, digital freehand painting techniques, simple 3D models and custom shaders, merging boundaries of realism with graphic illustration and 3D environments. LC Campus Only. Prerequisites: CMI 260; ART 150

CMI 328. Production Management 3 cr.
Examines the role of the Production Manager, essential to every film production. The course will revolve around best practices in organizational design, the production process, the budgeting process, financial controls, scheduling, insurance and distribution. Prerequisite(s): CMI 100. Corequisite(s): CMI 420. Restricted to CMI majors.

CMI 332. 3-D Character Animation 3 cr.
Essentials and principles of 3D character animation. Techniques and craft of breathing life into characters through movement including dynamic poses, blocking action, run and walk cycles, lip synching and realism. THTR 110 Acting and CMI 200 Sound Design are recommended. Prerequisites: CMI 260.

CMI 341. Visual Effects 3 cr.
Fundamentals and principles of live action footage and computer generated imagery integration including 3D animation, matchmoving, green screen setup, keying and compositing. Prerequisites: CMI 205, CMI 260, and CMI 333.

CMI 348. Acting and Directing the Voice Over 3 cr.
Students will discover different ways to approach voiceover, to bolster their confidence with voiceover performance and directing, to generate and explore ideas for improving their acting skills and their ease with collaborating, and to help them view voiceover and voice work in a more analytical and discerning light.

CMI 350. Intermediate 2-D Animation 3 cr.
Learn the more refined aspects of motion for character animation by focusing on Disney’s 12 Principles of Animation, practicing these advanced drawing techniques in exercises and incorporating them into a brief final short. Prerequisite(s): CMI 250.

CMI 360. Previsualization 3 cr.
Implements 3D animation tools in preproduction shot and sequence design for motion picture and broadcast industries; including 3D storyboarding, technical planning and editing basics. LC Campus Only. Prerequisites: CMI 260, CMI 280, and CMI 300 or consent of instructor.

CMI 361. After Effects: 2D Compositing and EFX 3 cr. (3P)
The purpose of this course is to familiarize students with the powerful compositing and special effects tools of Adobe After Effects for 2D, traditional animation. Students will learn how to assemble an existing un-rendered animation into a final piece with advanced 3D lighting, spacing, and digital effects so that it can achieve a dynamic, professionally rendered look.
CMI 365. Character Design and Development 3 cr.
Digital character design for the entertainment industry. Provides insight into the process of creating iconic characters. Traditional and contemporary character designers are explored. Industry workflow is introduced and necessary skills are developed to design detailed 3D characters from concept through production. Prerequisite(s): CMI 260 and CMI 280.

CMI 395. Directing 1 3 cr.
Study and application through short scene work of basic tools of director and of relationships with actors, designers, playwright, and stage manager. Interpreting as well as organizing. Prerequisite: THTR 130

CMI 396. Directing II 3 cr.
Addresses pre-production concerns including script breakdown, casting ground plans and coverage. The criteria employed when selecting the creative team including a director of photography, art director, light, sound and wardrobe designers. Introduction to budgeting, scheduling, and script breakdowns. Prerequisite: CMI 395

CMI 397. Practicum 1-3 cr.
Practical application of student’s field of study in a project environment. Consent of instructor required.

CMI 398. Special Topics 1-3 cr.
Course addresses specific subjects and issues as identified by department. Topics and credits to be announced in the Schedule of classes. May be repeated up to 9 credits.

CMI 400. Directed Studies 1-6 cr.
Directed study course in CMI under the supervision of a CMI faculty member. May be repeated up to 9 credits.

CMI 401. Motion Capture Techniques 3 cr.
Implement industry standard MOCAP techniques to capture and integrate performance for movie making and 3D animation. LC Campus Only. Prerequisites: CMI 205, CMI 260, and CMI 341.

CMI 420. Short Film Production 3 cr.
Students work in teams with rotating crews to write, produce, direct and edit individual and group projects-ultimately demonstrating growing confidence with production equipment and professional practices. May be taken up to 6 credits. Corequisites: CMI 328. Prerequisites: CMI 200, CMI 216, CMI 205, and CMI 395.

CMI 433. 3-D Sets and Environments 3 cr.
Digital environment design and creation for movies from concept to production; including illustration, modeling, matte painting, texturing, lighting, rendering, integration, and camera projection. LC Campus Only. Prerequisites: CMI 260, CMI 280, and CMI 333.

CMI 441. Advanced Visual Effects 3 cr.
Advanced integration of live action footage and computer generated imagery, including high dynamic range imagery, photogrammetry, compositing, 3D animation and rendering. Prerequisites: CMI 260 and permission of instructor.

CMI 450. Advanced 2-D Animation 3 cr.
Advanced techniques in two dimensional animation including motion graphics and integration of live action. Prerequisite: CMI 350

CMI 451. Effects Animation & Dynamic Simulation 3 cr.
Overview of 3D dynamic simulations and effects. Creative projects and practical examples including fluids, particles, fields, soft body, and rigid body techniques. Prerequisites: CMI 260 and permission of instructor.

CMI 460. Technical Direction for Animation 3 cr.
Principles and practices of current animation technical development. Preliminary and detailed technical design, including advanced rigging, UI customization, Mel scripting, expressions, rendering systems, and pipeline development. LC Campus Only. Prerequisites: CMI 260 and CMI 280 or consent of instructor.

CMI 470. Short 2-D Animation Production 3 cr.
This is a full-scale animation production class where students will be divided into teams according to the animation skills they have demonstrated in the beginning, intermediate, and advanced classes. Each team member will specialize in one important facet of the production process: character animation, background painting, technical direction, coloring, or story development and storyboarding. 4 to 8 minute animated shorts will be produced. Prerequisite(s): CMI 450, CMI 361.

CMI 480. Screenwriting II 3 cr.
Students will prepare 30-60 minute screenplays. Script analysis will be in a workshop format. Scripts will be read and discussed, scenes performed and reactions analyzed to consider effect of dialogue, character development, etc. Guest professionals will discuss their experience/expertise. Prerequisite(s): ENGL 309 or CMI 309 or THTR 306 or consent of instructor. Crosslisted with: ENGL 480

CMI 490. Advanced Screenwriting 3 cr.
Students will prepare a feature-length screenplay. Script analysis will be in an advanced workshop format. Scripts will be read and discussed, scenes performed and reactions analyzed to consider effect of dialogue, character development, etc. Aimed at preparing writers for the professional market. Consent of instructor required. Crosslisted with: ENGL 491

CMI 495. Internship 1-3 cr.
Placement in a production facility and supervised experience. Required. With CMI advisor approval only.
CMI 496. Media Law/Ethics 3 cr.
Overview of legal and ethical issues in creative media elements of business and commercial law. This class will focus on the fundamentals of entertainment law by exploring the business and legal relationships within film industries, and animation. Learn to anticipate and avoid legal problems prior to production. Key issues in the area of copyright law, sources of financing, distribution agreements; insurance and union consideration will be discussed. Prerequisite(s): CMI 100. Restricted to CMI majors.
CMI 497. Portfolio Design and Development 3 cr.
Advanced graphic design projects with an emphasis on conceptual development, portfolio preparation, and professional practices. Refine general marketing strategies, personal portfolio, and resumes. Define, target, and penetrate personal target markets. Students develop individual promotional/demo packages. Prerequisites: Consent of instructor.
CMI 498. Final Year Senior Project I: Production and Post Production 3-6 cr.
Senior thesis will be a yearlong concentration on a project guided by more than one faculty member. Will be narrative-driven and have an end product; short film, documentary, experimental 3-D animated short, or pilot and treatment for a TV series. Emphasis will be on preproduction. Student will produce a professional quality product that will help gain entry into a professional situation or graduate school. Prerequisite(s): Consent of instructor.
CMI 499. Final Year Senior Project II: Production and Post Production 3-6 cr.
The senior thesis will be a year long concentration on a project guided by more than one faculty member. Will be narrative driven and have an end product; short film, documentary, experimental, 3-D animated short, or pilot and treatment for a TV series. Student will produce a professional quality product that will help gain entry into a professional situation or graduate school. Consent of instructor required. Prerequisite(s): CMI 498 and Consent of Instructor.

Note: Undergraduate catalog 2011 -2012